One-to-one · Adults and children · No experience needed
Actually play the song you have always wanted to play
We start with how you sit and your first note, then move one small step per lesson. Piano Studio builds the plan around your level and the music you want to play — no rushing through a textbook, no exams unless you want them.
By level
Wherever you are starting from, there is a path
01
Beginner · never touched a piano
Get to know the keyboard and rhythm, and get both hands on the keys. A complete first piece within three months.
02
Intermediate · reads music but stuck
Fill in fingering, pedalling and chords, so pieces stop being merely finished and start sounding good.
03
Advanced · performing or examining
Interpretation, touch control and stage preparation, planned around your recital, grade exam or audition.
Your teacher
Mei Wang
Founder · Principal teacher
Piano major, twelve years of teaching, students from four to sixty-eight years old. Learning the piano does not have to hurt — whether you enjoy the time you spend at the keyboard matters more to me than how much of the book we get through.
Relaxed, not casual
A practice room you actually want to stay in
We do not grind through scales until you give up. The first lesson starts from the piece you want to play, and the technique gets filled in along the way — so you always know what a given exercise is for.
The room is bright and bookable for your own practice any time. Once a month there is a small share-and-play evening: no marks, no ranking, just a chance to play what you have learned to someone.
Programs
Start from whatever you want to learn
01
One to one
The plan is entirely yours, and lesson times are flexible.
02
Classical
Bach through Chopin: solid technique and real interpretation.
03
Pop and accompaniment
Hear the chords, build the accompaniment, arrange the songs you love.
04
Jazz and improvisation
Harmony, rhythm and improvising until it sounds like you.
05
Theory and sight-reading
Put a score in front of you and play it, instead of memorising every piece.
06
Exams and auditions
Full preparation for ABRSM, Yamaha or music-school entrance.
Children and families
With children, liking it comes first
From age four. Games and ear training build the sense of rhythm first, and notation comes in gradually. Parents are welcome to sit in, and we will show you how to help at home — practice should not turn into a daily argument.
Students
They all thought they had no talent either
★★★★★
“I started at thirty-eight, just to tick off a wish. Six months later I played at a friend's wedding, and I surprised myself.”
Mr Chen
One year in
★★★★★
“I quit after two years as a child because all I did was follow the book. Starting from a song I loved showed me it could work differently.”
Ms Lin
Eight months in
★★★★★
“Piano is the lesson my daughter looks forward to most, and she goes to the keyboard on her own at home. That matters far more than a grade.”
Mrs Chang
Daughter is seven
★★★★★
“In the six months before grade five, my teacher broke every piece down so I knew exactly what to practise. No more practising blind.”
Mr Huang
Three years in
You can start now
Take one trial lesson, then decide
In the trial we look at where you are and what you want to play, then work out a plan together. There is no sales pitch.
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